“Transangelic Exodus”, Ezra Furman’s second album for Bella Union, is a new landmark for the American singer-songwriter: “not a concept record, but almost a novel, or a cluster of stories on a theme, a combination of fiction and a half-true memoir,” according to its author. “A personal companion for a paranoid road trip. A queer outlaw saga.”
The music is as much of an intense, dramatic event, full of brilliant hooks, with an equally evolved approach to recorded sound to match Furman’s narrative vision. In honour of this shift, his backing band has been newly christened: The Boy-Friends are dead, long live The Visions. In other words, the man who embodies the title of his last album Perpetual Motion People is still on the move... Or in the vernacular of the new album, on the run.
“The narrative thread,” Furman declares, “is I’m in love with an angel, and a government is after us, and we have to leave home because angels are illegal, as is harbouring angels. The term ‘transangelic’ refers to the fact people become angels because they grow wings. The have an operation, and they’re transformed. And it causes panic because some people think it’s contagious, or it should just be outlawed.
Transangelic Exodus addresses another kind of coming out, as Furman addresses his Jewish faith on record much more openly than before, from the shivery ballad ‘God Lifts Up the Lowly’ (which includes a verse in Hebrew) to the exquisite ‘Psalm 151’ and the line “I believe in God but I don't believe we're getting out of this one” in ‘Come Here Get Away From Me’, a heady blend of rock’n’roll rumble and ghostly clarinet.
Crossing between love, gender, sexuality and religion, and singing in solidarity with the innocent, persecuted, oppressed and threatened, Ezra Furman has soundtracked the current fear and loathing across America like no other, while pushing ahead with his own agenda, always on the move.Close
Furman has not lost his terrific way with a tune, a rhythm and a lyric, this time often paired up with odd sound effects or quirky instrumentation that just make it all the more compelling and moreish.